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基本説明
Music was central to everyday life and expression in late Georgian Britain, and this is the first interdisciplinary study of its impact on Romantic literature. Focussing on the public fascination with virtuoso performance, Gillen D'Arcy Wood documents a struggle between sober 'literary' virtue and luxurious, effeminate virtuosity that staged deep anxieties over class, cosmopolitanism, machine technology, and the professionalization of culture.
Full Description
Music was central to everyday life and expression in late Georgian Britain, and this interdisciplinary study looks at its impact on Romantic literature. Focusing on the public fascination with virtuoso performance, Gillen D'Arcy Wood documents a struggle between sober 'literary' virtue and luxurious, effeminate virtuosity that staged deep anxieties over class, cosmopolitanism, machine technology, and the professionalization of culture. A remarkable synthesis of cultural history and literary criticism, this book opens new perspectives on key Romantic authors - including Burney, Wordsworth, Austen and Byron - and their relationship to definitive debates in late Georgian culture.
Contents
Preface; Introduction. Virtuosophobia; 1. Seward's Handelomania; 2. The Burney baroque; 3. Wordsworth castrato; 4. Cockney Mozart; 5. Austen's accomplishment; 6. The Byron of the piano; Coda. The mechanical nightingale.